Cordova Mosque is one of the finest monuments of Muslim art in Europe. Its architect and masons were local talent, who introduced a number of novelties. The Muslims excelled at mosaic, inlay, fretwork and applique work of all types. Marvellous doors, pulpits, and ceilings are decorated in many of the ancient mosques all over the Muslim world with a lacelike design of mosaic, carved invory and wood and plaster, and fitted pieces of carved wood interlocking with each other with consummate artistry. Chased and engraved wood and ivory are everywhere. Thus the Altar of the Church of Saint Isidore Hispalensis (archbishop of Seville in the first years of the 7th century AD) like the carved ivory jewel-case made for Queen Isabella in the 11th century and the carved ivory box now in the Church at Bayeux of the 12th century (obviously some Crusader's loot from the East) inlaid with silver in chased gold, are examples of that art which was the glory of Eastern lands. All this delicate and minute handiwork was carried out with the crudest and roughest of tools, itself a further tribute to the skill and artistry of the makers.
Jewel-studded boxes and cases and caskets are to be seen in many places, though the best are on view in the museums of Damascus and Cairo. Well said Sa'adi: "An Eastern artist may take 40 years to make one porcelain vase: the West turns out 100 a day, all like: the comparative worth of the two products can be easily reckoned!"
The Muslims were also past masters of the art of carved and coloured plaster work, in a style which still subsists though modern technologies are, alas, rendering the skill rarer all the time. Tenth century examples, some with enamelled work also, are to be found in Andalusia. The Alhambra has 13th century masterpieces of this work. The glitter like the later Italian Majolica. The famous Alhambra flower-vase, 1.5 metres high, is unique in this line
No comments:
Post a Comment